Hypallage
A figure in which a modifier is grammatically attached to the 'wrong' noun for expressive effect.
Hypallage (Greek, 'interchange'), sometimes called the transferred epithet, is the figure by which an adjective or descriptive phrase is applied not to the noun it logically qualifies but to a nearby noun. 'The ploughman homeward plods his weary way' — the way is not weary; the ploughman is. 'A sleepless night' — the night is not sleepless; the sleeper is.
The device is old. Virgil and Horace use it freely. It survives in modern poetry and in a small set of frozen English idioms ('a happy hour', 'an angry gesture'). The effect is a small oddness that draws attention: the reader registers, briefly, that the adjective is in the wrong place, and in the act of relocating it experiences the described quality more vividly than a straight construction would produce.
Hypallage is closely related to enallage (substitution of one grammatical form for another) and to metonymy (substitution of a related term for the intended one). It differs from both in that the misplacement is specifically of a modifier and its noun.
The figure is best used sparingly and in poetry or high-style prose. In workaday writing it can look like sloppiness — a modifier that has drifted from its noun by accident. If the reader is not clearly cued that the transfer is deliberate, the figure fails.
“The ploughman homeward plods his weary way.”
Keep reading the glossary
A descriptive phrase attached to a name to characterise the person or thing named.
Calling something by the name of an associated thing — 'the crown' for 'the monarchy'.
A figure where the part stands for the whole, or the whole for the part.
The deliberate use of a grammatically 'wrong' form for rhetorical effect.