How to Get Over Something Embarrassing You Did
Everyone is the star of their own film and a background extra in yours. This is excellent news.
There is a specific hour, usually around two in the morning, reserved for reviewing the time you called your teacher Mum, waved at someone who was waving at the person behind you, or said 'you too' to a waiter who had wished you a happy birthday. The event lasted four seconds. The rerun has now been playing, on and off, for eleven years, with excellent production values.
The first thing worth knowing is that nobody else has a copy of the film. Psychologists have measured this repeatedly and given it an unflattering name: the spotlight effect. We consistently and dramatically overestimate how much others notice our appearance, our stumbles, our badly judged joke. In one study, participants made to wear a deliberately embarrassing T-shirt guessed that roughly half the room had clocked it; the actual figure was under a quarter, and most of those could not say what the shirt showed.
The reason is not that people are kind. It is that they are busy being the protagonist of their own anxious evening. The colleague you are certain is replaying your bad presentation is replaying their own reply to your bad presentation, and finding it insufficiently clever. Almost everyone is too worried about their own performance to grade yours, which is both slightly lonely and enormously freeing.
There is also a mechanical reason the memory keeps arriving: it was never finished. The brain files experiences that carry unresolved emotional charge as still-open, and reopens them looking for a resolution that never comes because the event is over. This is why the cure is not suppression, which reliably makes it louder, but completion — telling it as a story, out loud, to a friend who laughs. Laughter is a filing system. A story that has been told and got a laugh stops nagging.
Two more small tools. First, deliberately describe the episode in the third person, using your own name: 'so Ade stands up and knocks over the water jug.' The distance is not a trick, it measurably reduces the sting, which is presumably why every comedian's worst night eventually becomes their best five minutes. Second, ask what you would think of a friend who did the identical thing. The answer is always 'nothing', or 'that's quite funny', and the double standard becomes impossible to defend.
It helps to know that the embarrassment-prone are not weaker but more socially attuned; the wince is a functioning sense of the group. Blushing is nearly universal and, oddly, makes observers trust you more, because it signals that you care about the rules you have just fumbled. Your most humiliating moment is evidence of exactly the quality you are afraid people did not see.
So keep the shame if you must, but downgrade it from evidence to anecdote. Everyone you have ever been mortified in front of is currently busy at two in the morning, reviewing their own footage, in which you do not appear.
“You wouldn't worry so much about what others think of you if you knew how seldom they do.”
Name the technique
Every story here ends on a quoted line. These entries explain how lines like it are built, credited, and misused.
- Paradox
- A statement that appears self-contradictory but reveals a deeper truth on reflection.
- Kōan
- A short Zen story or paradoxical question used as an object of meditation — a quote designed to resist easy quoting.
- Attribution
- The act of naming the original speaker or writer of a quote.