Prolepsis (Rhetorical)
Anticipating and answering an objection before the audience raises it.
Rhetorical prolepsis — from Greek prolambanein, 'to take in advance' — is the figure in which a speaker or writer names an objection to their own argument and answers it before the audience or opponent has had the chance to make it. It overlaps closely with procatalepsis (the two terms are often used interchangeably) and belongs to the family of anticipatory figures that includes hypophora and refutatio.
The function is defensive and disarming at once. By airing the counter-argument first, the speaker takes ownership of it, defuses its surprise, and demonstrates that they have already considered — and answered — the strongest version of the opposition. An audience that watches an argument answer itself tends to grant the arguer more credit than one that sees only assertion.
The figure requires honesty about the objection. The counter-argument the speaker names must be one an actual opponent would recognise, not a straw version. A prolepsis that knocks down an objection no one holds is worse than none: it signals to the informed listener that the speaker is either uninformed or evasive.
Common mistake: over-using prolepsis until the argument sounds beleaguered. One or two anticipated objections show intellectual composure; six in a row start to sound like a defence brief, and the audience begins to wonder what else the speaker fears.
“You will say that a democracy cannot conduct a long war. History replies with the Peloponnesian, the American Civil, and the Second World Wars.”
Keep reading the glossary
Anticipating an objection in your own argument and answering it before it can be raised.
A rhetorical figure in which the speaker asks a question and immediately answers it.
A rhetorical expression of genuine or feigned doubt about how to proceed — the speaker stops to wonder aloud.
A grammatical balance of two opposed ideas — 'to be or not to be'.